In the 1970s, we enter the era of the Faux-Ripper—a term referring to a production which does not deal with Jack the Ripper but which still exploits the Ripper in order to help garner an audience. The 1970s are also characterized by other exploitation (Blaxploitation and Sexploitation) Rippers, gore Rippers, and even some classics.
1970s Ripper films:
Hands of the Ripper (1971) | Dr. Jekyll and Sister Hyde (1971) | The Ripper (1974) | Black the Ripper (1985) | Champagnegalopp (1985) | Jack the Ripper (1976) | Lulu (1978) | Murder by Decree (1979) | Time after Time (1979)
hands of the ripper (1971)
brief synopsis
Jack the Ripper’s daughter Anna was orphaned, and adopted by a phony medium, after her father murdered her mother. Now, believing that she is possessed by angry spirits, the girl kills when some of the circumstances of her mother’s murder are re-enacted. Dr. John Pritchard covers up for Anna, hoping to make a name for himself by using Freudian psychoanalysis to cure her. But things go terribly wrong as Anna kills off the people that she and Pritchard come in contact with.
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Hands of the Ripper is often considered the last great film by the horror specialists at Hammer Studios. One thing is for sure: It is one of the most gory films Hammer ever made. Yes, Hammer had used small amounts of gore for dramatic effect in films like Dracula, Prince of Darkness, and Dracula Has Risen from the Grave. But Hands of the Ripper outdoes these: beginning with impalement on a fire poker, ending with a sword thrust through a major character, and containing closeups of a throat slit and an an eye punctured along the way. Yes, the film’s got gore, but – perhaps because there’s so much of it, or perhaps because the gore lacks the imagination shown earlier when Hammer impaled Dracula on a cross – none of this film’s gory scenes has the dramatic impact of the gore in those earlier Hammer films. This may well be Hammer’s last good film, but it does not rank with Hammer’s truly great ones.
types
Eurotrash and Anglo Decadence: Though it’s not all that decadent, Hands of the Ripper is still one of the most graphically violent of all Hammer movies. Various characters get impaled by fire pokers or swords, have knitting needles driven into their eyes, or get slashed by pieces of broken mirror.
Investigation Rippers: Dr. John Pritchard investigates the past of a strange young girl in his care who appears to be committing murder.
Jack the Ripper Fantastique: Whether it’s through the power of a hypnotic experience during a childhood trauma or through being possessed by her father’s spirit, the daughter of Jack the Ripper is compelled commit murder when the light shines upon a glistening object in just a certain way.
Period Atmosphere: Excellent costuming and set design for upper crust London a generation after the Ripper killings.
availability
Hands of the Ripper is available in Region 2 DVD.
Producer: Aida Young; Director: Peter Sasdy; Screenplay: L.W. Davidson (from a story by Edward Spencer Shew); Cinematography: Kenneth Talbot; Editing: Chris Barnes; Music: Chris Barnes; Art Director: Roy Stannard; Makeup: Bunty Phillips; Production Manager: Christopher Sutton; Assistant Director: Ariel Levy; Sound Department: Ken Barker and Kevin Sutton; Special Effects: Cliff Gulley; Wardrobe Supervisor: Rosemary Burrows; Hair Supervisor: Hair supervisor; Production Company: Hammer Film Productions Ltd.
cast
Eric Porter (Dr. John Pritchard); Angharad Rees (Anna); Jane Merrow (Laura); Keith Bell (Michael Pritchard); Derek Godfrey (Dysart); Dora Bryan (Mrs. Golding); Marjorie Rhodes (Mrs. Bryant); Lynda Baron (Long Liz); Marjie Lawrence (Dolly); Margaret Rawlings (Madame Bullard); Elizabeth MacLennan (Mrs. Wilson); Barry Lowe (Mr. Wilson); A.J. Brown (Rev. Anderson); April Wilding (Catherine); Anne Clune (1st Cell Whore); Vicki Woolf ( 2nd Cell Whore); Katya Wyeth (1st Pub Whore); Beulah Hughes (2nd Pub Whore); Tallulah Miller (3rd Pub Whore); Peter Munt (Peasant); Molly Weir (Maid); Philip Ryan (Police Constable); Charles Lamb (Guard); Norman Bird (Police Inspector)
dr. jekyll and sister hyde (1971)
brief synopsis
When Dr. Jekyll’s friend Dr. Robertson taunts him that it will take several lifetimes to finish his research into a universal anti-virus, Jekyll decides instead to pursue a longevity serum. His initial research, relying on female hormones, proves so promising that he must obtain female bodies from Burke and Hare, in order to maintain a supply of the hormones. When their supply runs dry, though, the obsessed Jekyll must find a new way to obtain the hormones… by becoming Jack the Ripper. As all mad scientists do, he of course uses the serum on himself, with unusual – though not unexpected – results.
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Dr. Jekyll and Sister Hyde does not have a great reputation among Hammer fans, largely because its plot is so ludicrous. For people capable of exercising a good bit of suspension of disbelief, however, the film can be pretty entertaining. After all, the film has everything from an anachronistic Burke and Hare, to Jekyll & Hyde, to an amoral psycho exploring her brand new female body! Actor Ralph Bates (Dr. Jekyll), incidentally, met future wife Virginia Wetherell while shooting the scene in which he stabs her in the back. They remained together until his death of cancer in 1991.
types
Comic Rippers: Well of course it’s funny! It was written by Avengers producer Brian Clemens. And how can it not be funny when the basic concept is that a mad doctor discovers a potion that turns him into a female knockout, who also happens to enjoy the fine art of murder!
Jack the Ripper Fantastique: Total Ripper fantasy! How else can we explain males turning to females and the appearance of the long-dead Burke and Hare?
Jack the Ripper Meets Jekyll and Hyde: An intentionally silly effort to combine Jekyll/Hyde with Jack the Ripper. In this case, the monomaniacal Dr. Jekyll seeks to find a formula to extend life by using female hormones. How does Jekyll/Hyde obtain the female hormones necessary for the formula? Well, that’s where the Ripper comes in!
Period Atmosphere: As with all Hammer films set in Victorian England, this film does the period well. Excellent costuming and set design.
availability
Dr. Jekyll and Sister Hyde is available on DVD. It is rentable from Netflix.
Producer: Samuel Z. Arkoff; Director: Roy Ward Baker; Screenplay: Brian Clemens and Albert Fennell (loosely based on the story by Robert Louis Stevenson); Cinematography: Norman Warwick; Editing: James Needs; Music: David Whitaker (song “He’ll Be There” written by Brian Clemens); Costume Design: Rosemary Burrows; Makeup: Trevor Crole-Rees; Hair: Bernie Ibbetson; Casting: James Liggat; Production Design: Robert Jones; Production Management: Don Weeks; Assistant Director: Bert Batt; Continuity: Sally Ball; Camera Operator: Godfrey A. Godar; Music Supervisor: Philip Martell; Production Supervisor: Roy Skeggs; Production Companies: EMI Films Ltd. and Hammer Film Productions Limited
cast
Ralph Bates (Dr. Jekyll); Martine Beswick (Sister Hyde); Gerald Sim (Professor Robertson); Lewis Fiander (Howard); Susan Broderick (Susan); Dorothy Alison (Mrs. Spencer); Ivor Dean (Burke); Philip Madoc (Byker); Irene Bradshaw (Yvonne); Neil Wilson (Older Policeman); Paul Whitsun-Jones (Sergeant Danvers); Tony Calvin (Hare); Dan Meaden (Town Crier); Virginia Wetherell (Betsy); Geoffrey Kenion (1st Policeman); Anna Brett (Julie); Jackie Poole (Margie); Rosemary Lord (Marie); Petula Portell (Petra); Pat Brackenbury (Helen); Liz Romanoff (Emma); Will Stampe ( Mine Host); Roy Evans (Knife Grinder); Derek Steen (1st Sailor); John Lyons (2nd Sailor); Jeannette Wild (Jill); Bobby Parr (Young Appentrice); Julia Wright (Street Singer)
the ripper (1974)
(tv: kolchak: the night stalker. abc. airdate: september 13, 1974)
brief synopsis
When reporter Carl Kolchak unofficially covers a series of ghastly murders, he quickly determines that they are the work of Jack the Ripper himself. Nobody, of course, believes him. But the evidence soon mounts that the police are pursuing a man with supernatural abilities… abilities strong enough to have preserved him these many years after terrorizing Whitechapel.
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The Ripper clearly owes a great debt to Robert Bloch’s story “Yours Truly, Jack the Ripper.” Not only do both tales make use of a supernatural Ripper, but both take place in the Chicago area. In fact, this production got pushed back because of the similarities. The Ripper, though, also gives Jack superhuman powers. He can leap tall buildings and come out unscathed… rather like Spring-Heeled Jack. Bloch’s Ripper at least had to engage in a blood ritual to preserve his immortality.
types
Comic Rippers: The Ripper leaps tall buildings and has all the powers of a comic book super-villain. With the added humor of Kolchak’s problems with everybody in authority, it’s a pretty funny Ripper appearance.
Investigation Rippers: In this episode of The Night Stalker, investigative reporter Carl Kolchak has been given the desk duty of answering Miss Emily’s advice column correspondence. Unable to restrain himself from investigating the top news story, however, he ultimately one-ups the police in their investigation of a series of Ripper-like killings.
Jack the Ripper Fantastique: He’s immortal and nearly invincible, and there’s really no explanation for it… except that Jack the Ripper is a supernatural being.
availability
“The Ripper” is available on DVD as part of the entire Night Stalker series. The episode is rentable from Netflix (since this was the first regular episode of the series, you should probably choose Disc 1). The individual episode is also available for download from Amazon.com.
Producer: Paul Playdon; Director: Allen Baron; Teleplay: Rudolph Borchert; Production Company: Universal Television
cast
Darren McGavin (Carl Kolchak); Simon Oakland (Tony Vincenzo); Jack Grinnage (Ron Updyke); Beatrice Colen (Jane Plum); Ken Lynch (Captain Warren); Mickey Gilbert (Jack the Ripper); Roberta Collins (Detective Cortazzi); Marya Small (Masseuse); Ruth McDevitt (Elderly Woman); Donald Mantooth (Policeman); Robert Bryan Berger (Mail Boy); Clint Young (Driver)
black the ripper (1975)
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Black the Ripper was advertised in Variety. But there is little evidence that it ever went into production. At least one webpage devoted to Blaxploitation films, though, mentions Black the Ripper appearing on BET the following week. Whether that statement is for real or is just a joke, it’s definitely worth making a call to BET to find out if the film is in their catalogue. If you know anything about Black the Ripper, please contact us.
availability
Black the Ripper is not only unavailable on video… it may never even have gotten made!
Director: Frank R. Saletri; Screenplay: Frank R. Saletri
cast
Renata Harmon; Bole Nikoli; Hugh Van Putten
champagnegalopp (1975)
(a.k.a champagne på sengekanten; the groove room; musfällan; a man with a maid; my favorite butler; teenage tickle girls; what the swedish butler saw)
brief synopsis
A young man attempts to seduce the girl he lusts after in a home where Jack the Ripper is hiding out.
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Humorous Swedish Erotica from the 70s. Popcorn fluff.
types
Comic Rippers: The Ripper’s appearances in this movie are not terribly clever and not terribly funny. But the joke that they’re setting up is a hoot.
Eurotrash and Anglo Decadence: The first sexually explicit film involving Jack the Ripper. The sex is humorous and not really graphic, but this film would certainly have qualified for an X rating in 1975.
Ripper Cameos: The Ripper appearances in this film seem entirely pointless until we realize that he is being used as the set up for an elaborate erotic joke.
availability
This film is available on VHS, under an English title.
Producer: Vernon P. Becker, Inge Ivarson, Werner Suesskind; Director: Vernon P. Becker; Screenplay: Vernon P. Becker, Barry Downes; Cinematography: Tony Forsberg; Editing: Ingemar Ejve; Costume Design: Inger Pehrsson; Production Companies: Film AB Robuhr, Unicorn (Sweden)
cast
Ole Søltoft (Jack Armstrong); Sue Longhurst (Alice Faversham); Diana Dors (Madame); Charlie Elvegård (Samson, Jack’s Butler); Malou Cartright (Fanny, Alice’s Friend); Julie Bernby (Mrs. Faversham); Bengt Olsson (Marion’s Husband); Rolf Bengtson (Museum Manager); Gothe Grefbo (Pettibone, The Judge); Borje Mellvig (Police Officer); Nils Eklund (Police Officer); Berit Agedah (Girl at Madame’s House); Inger Sundh (Girl at Madame’s House); Vivi Rau (Girl at Madame’s House); Per-Axel Arosenius (Priest Faversham); Marie-Louise Fors (Girl at Madame’s House); Barbro Hiort af Ornäs (Mrs. Armstrong); Egil Holmsen (Mr. Armstrong, Jack’s Father); Martin Ljung (Jack the Ripper); Tina Möller-Monell (Marion, Alice’s Sister)
jack the ripper (1976)
(a.k.a. der dirnenmörder von london)
brief synopsis
Dr. Orloff kills and dismembers prostitutes, prompting a never-ending police investigation. Eventually, the lead inspector’s fiancee decides to play detective and pose as a prostitute to lure the killer.
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Poor pacing, bad dubbing, and a somnambulistic performance by Klaus Kinski help to undermine this weak Jess Franco film. Though many London citizens did attempt to “play detective” during the Ripper’s killing spree, that’s about the only aspect of the case that is actually presented in this movie. Nearly everything else (except that the Ripper killed prostitutes) is made up entirely out of the filmmaker’s heads.
types
Eurotrash and Anglo Decadence: Talk about your Eurotrash! Not only is Jess Franco directing Klaus Kinski, but (in shades of the Peter Kuerten case), the Ripper even has sex with a dying woman as he stabs her. Some folks may get off on that sort of stuff, but for the rest of us, this film is booooooring.
Investigation Rippers: The police track the Ripper… and track the Ripper… and track the Ripper… and track the Ripper… Will the investigation, or the movie, never end?
The Lodger Motif: Mad Avenger. The Ripper targets and dismembers prostitutes out of rage at being neglected and ridiculed as a child by his prostitute mother.
availability
Jack the Ripper (1976) is widely available on DVD.
Producer: Erwin C. Dietrich; Director: Jesus Franco; Screenplay: Jesus Franco; Cinematography: Peter Baumgartner; Editing: Marie-Luise Buschke; Music: Walter Baumgartner; Assistant Director: Mark M. Rissi, Alfi Sinniger; Production Company: Ascot Film FmbH & Co. (Germany), Cinemec, Elite Film AG
cast
Klaus Kinski (Dr. Dennis Orloff/Jack the Ripper); Josephine Chaplin (Cynthia); Herbert Fux (Charlie, the Fisherman); Ursula von Wiese; Lina Romay; Andreas Mannkopff (Inspektor Selby); Angelika Arndts; Lorli Bucher; Francine Custer; Otto Dornbierer; Regine Elsener; Hans Gaugler; Olga Gebhard; Mike Lederer; Peter Nüsch; Friedrich Schönfelder; Esther Studer; Nikola Weisse
lulu (1978)
brief synopsis
The nymphomaniac Lulu drives three husbands to their graves, becomes the subject of numerous sexual fantasies, and meets an untimely end at the hands of Jack the Ripper.
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Directed, photographed, and edited by Ronald Chase, this film provides a perfect example of the downside of the auteur theory of filmmaking. Chase clearly has an encyclopedic knowledge of silent and European cinema–down to the grimy hands typical of silent movie protagonists. He also possesses impressive skills as a cinematographer. And, of course, he has excellent material to work with: Wedekind’s Lulu plays and Berg’s opera. But it’s just not enough.
Chase, unfortunately, suffers from problems often found in lesser auteurs: unending self-indulgence and lack of taste. He simply does not know how to put all his knowledge and technique at the service of a great story. He somehow believes that the audience will be more interested in watching a lot of camera movement, nude shots, and blue smoke than in seeing the tragedy of Lulu unfold. In fact, by placing actress Elisa Leonelli in the nude for a good percentage of the film, Chase does to Lulu exactly what the men (and women) in the story do: reinvent her as merely an object of fantasy, and thus annihilate her potential for humanity. For the film, as for most of the characters in it, that reinvention proves fatal.
types
Lulu Motif: A mostly silent, relentlessly pretentious version of Wedekind’s plays, using Alban Berg’s operatic score as its soundtrack… alongside screaming monkeys, growling lions, dripping water, and a variety of other sounds. The sound designer on this film, incidentally, was Todd Boekelheide, who has since worked on many Hollywood projects and won an Oscar for his work on Amadeus.
availability
Lulu is not available on video.There is, however, a research copy at the UCLA Film and Television Archive.
Producers: Paul Patton and Erik Wampler; Director: Ronald Chase; Text: Frank Wedekind (from the plays Erdgeist and Die Buchse der Pandora); Cinematography: Ronald Chase; Music: Alban Berg (from the opera Lulu); Piano Music: Warner Jepson; Sound Montage: Todd Boekelheide; Film Editing: Ronald Chase, Jay Miracle, Bonnie Koehler and Todd Boekelheide; Art Direction: Vance Martin and Donald Eastman; Props: Erik Wampler and Deborah Cajaco; Makeup: Moucci and Winston Tong; Wardrobe: Alvoy Phee; Lighting: Tom Barron, Jean Yves Pitou and Jim Bogardt; Effects: Stephen Semel, Jay Boekelheide and Mike Kitchens; Recording: Tom Barron and Tom Sylvester
cast
Paul Shenar (Ludwig Schon); Elisa Leonelli (Lulu); Goll (Warren Pierce); Stephen Ashbrook (Walter); John Roberdeau (Alwa); Norma Leistiko (Geschwitz); Michael Anderson (Prince Escerny); Thomas Roberdeau (Jack the Ripper); Winston Tong (Puppeteer); David Brown (Stableboy); Bernard Guenther (Alfred); Ronald Peyser (Rodrigo)
murder by decree (1979)
brief synopsis
Sherlock Holmes investigates the Whitechapel murders. Along the way, he encounters enormous class pressure, and unravels an upper class conspiracy.
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This is a well-made film, featuring outstanding performances by Christopher Plummer as Sherlock Holmes and James Mason as Dr. Watson. The film provides good detail about the crimes, depicts the prostitutes with some degree of realism, and creates audience sympathy for the women who are being slaughtered by “Jack the Ripper.” The only problem (aside from the Ripper theory employed) is that at the end, when Sherlock Holmes offers his solution, a slushy violin line keeps interrupting his speech, and he himself becomes uncharacteristically sentimental. It is not one of the finer moments in Holmes cinema… though it works pretty well in a Jack the Ripper movie.
types
Investigation Rippers: Lots of great investigative work, with Sherlock Holmes hot on the trail of Jack the Ripper again!
Period Atmosphere: Excellent period piece. Great costumes, set design, atmosphere. Does well with both the posh and the poor.
Political Rippers: Holmes must navigate through political conspiracy and intrigue, marshaled by highly placed officials in an effort to protect the Royal family from having an embarrassing secret revealed.
Jack the Ripper Meets Sherlock Holmes: This Sherlock Holmes vs. Jack the Ripper relies on one popular–if misguided–theory concerning the Ripper’s identity. It is also one of the few Ripper films to focus largely on the victims.
availability
Murder by Decree is available on DVD and is rentable from Netflix.
Producers: Bob Clark, Rene Dupont, Robert A. Goldston, Len Herberman; Director: Bob Clark; Screenplay: John Hopkins; Cinematography: Reginald H. Morris; Editing: Stan Cole; Music: Paul Zaza, Carl Zittrer; Production Design: Harry Pottle; Assistant Director: Ariel Levy; Sound Department: joe Grimaldi; Costume Design: Judy Moorcroft; Production Company: Famous Players, Highlight, Saucy Jack, The Canadian Film Development Corporation (CFDC)
cast
Christopher Plummer (Sherlock Holmes); James Mason (Dr. John H. Watson); David Hemmings (Inspector Foxborough); Susan Clark (Mary Kelly); Anthony Quayle (Sir Charles Warren); John Gielgud (Lord Salisbury); Frank Finlay (Inspector Lestrade); Donald Sutherland (Robert Lees); Genevieve Bujold (Annie Crook); Chris Wiggins (Doctor Hardy); Teddi Moore (Mrs. Lees); Peter Jonfield (William Slade); Roy Lansford (Sir Thomas Spivey); Catherine Kessler (Carrie); Ron Pember (Makins); June Brown (Ann Chapman); Ken Jones (Dock guard); Terry Dugan (Danny); Hilary Sesta (Catherine Eddowes); Anthony May; Betty Woolfe (Mrs. Dobson); Geoffrey Russell (Henry Matthews); Peggy Ann Clifford (Lees’ Housekeeper); Ann Mitchell (Jane); Katherine Stark (Molly); Stella Courtney; Judy Wilson (Emily); Victor Langley (Prince of Wales); Pamela Abbott (Princess Alexandra); Robin Marshall (Duke of Clarence); Richard Dedmon (Doctor); Dan Long (Constable Long); Michael Cashman (Constable Watkins); Peter Dean (Police Constable, uncredited); Jim McManus (Policeman, uncredited)
time after time (1979)
brief synopsis
When the police come knocking on H.G. Wells’ door after a Ripper murder, and target his friend, Dr. John Leslie Stevenson as Jack the Ripper, Stevenson jumps into Wells’ Time Machine and heads off for late 20th century San Francisco. Wells follows, in the attempt to stop the murderer and see justice be done. Of course, along the way, we get to see the “fish out of water” scenario as Wells must cope with an America of his future and falls in love with a liberated 20th century girl. Oh, and naturally, he ultimately confronts Stevenson, who has taken Wells’ girl hostage.
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One of the most popular Ripper fantasies, Time after Time is really a rather delightful film. Malcolm McDowell says that he took the role because he was tired of appearing in movies like Caligula and was sick of playing madmen. Curiously, McDowell’s real life mirrored to some extent his character’s life in this film… McDowell fell in love with (and married) Mary Steenburgen, his leading lady. They have since divorced.
types
Investigation Rippers: H.G. Wells chases the Ripper into the late 20th century in order to track him down and bring him to justice.
Jack the Ripper Fantastique: The Ripper has made it to the late 20th century, but this is the only Ripper fantasy in which he gets there by time travel.
availability
Time after Time is available on DVD and is rentable from Netflix.
Producer: Herb Jaffe, Steven-Charles Jaffe (associate producer); Director: Nicholas Meyer; Screenplay: Karl Alexander (story), Steve Hayes (story), Nicholas Meyer; Cinematography: Paul Lohmann; Editing: Donn Cambern; Music: Miklós Rózsa; Production Design: Edward C. Carfagno; Set Decoration: Barbara Krieger; Art Department: Dick Reseigne; Bill Wainess ; Makeup: Lynn F. Reynolds, Dione Taylor; Production Manager: Austen Jewell; Assistant Director: Michael Daves, Robert J. Doherty, Steven-Charles Jaffe, Paul Magwood; Sound Department: Michael Colgan, Les Fresholtz, Donald Harris, Jerry Jost, Joseph Kite, Michael Minkler, Arthur Piantadosi, Dan Wallin; Special Effects: Jim Blount, Larry L. Fuentes; Wardrobe Supervisor: ; Hair Supervisor: Production Company: Warner Bros.
cast
Malcolm McDowell (H.G. Wells); David Warner (Jack the Ripper/John Lesley Stevenson); Mary Steenburgen (Amy Robbins); Charles Cioffi (Lieutenant Mitchell SFPD); Kent Williams (Assistant); Andonia Katsaros (Mrs. Turnery, Wells’ Housekeeper); Patti D’Arbanville (Shirley); James Garrett (Edwards); Leo Lewis (Richardson); Keith McConnell (Harding); Byron Webster (McKay); Karin Mary Shea (Jenny); Geraldine Baron (Carol, Amy’s friend); Laurie Main (Inspector Gregson); Joseph Maher (Adams); Michael Evans (Sergeant); Ray Reinhardt (Jeweler); Bob Shaw (Bank Officer); Stu Kitsner (Clergyman); Larry J. Blake (Guard); Nicholas Shields (Diner at McDonalds); Gene Hartline (Cab Driver); Clement St. George (Bobby); Shirley Marchant (Dolores); Antonie Becker (Nurse); Hilda Haynes (2nd Nurse); Reed Morgan (Booking Cop); Mike Gainey (London Bobby); Jim Haynie (1st Cop); Wayne Storm (2nd Cop); Lou Felder (Man); John Colton (3rd Cop); Corey Feldman (Boy at Museum); James Cranna (Man); Earl Nichols (4th Cop); Bill Bradley (Pawnbroker); Clete Roberts (Newscaster); Rita Conde (Maid); Gail Hyatt (Woman Cop); Shelley Hack (Docent); Dan Leegant (Man on Street); Regina V. Waldron (Woman); Liz Roberson (Woman); Anthony Gordon (Man); Doug Morrisson (Man); Glenn Carlson (5th Cop)
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